An Arm -or- A Leg?

Question: If you were forced to make the choice between having:

     A) One arm and two legs
     B) Two arms and one leg

Which would you select (assuming you would be otherwise able-bodied)? What criteria would go into your selection process? Which do you take more for granted: your arms or your legs?

Natalie_230 It's not my intent to be macabre or insensitive with this question. 
Rather, for the past few weeks I've trying to come to grips with the idea of which limb is more important in my day-to-day life.

Natalie du Toit, "My Inspiration of the Month" (at left). Natalie is a 24 year old South African swimmer who lost part of her left leg in a scooter accident in 2001. But she never gave up on her swimming dreams! Last week, in a grueling two-hour swim in Seville, Spain, Natalie placed fourth in the Women's 10K Open Water Swim against the world's top international competition. As a result, Natalie qualified for the Beijing Olympics (that's Olympics, not Paralympics). An amazing story!

Favorite Creative Thinking Books

What are your favorite creative thinking books? Why?

New_whack_85_3 Today is "Publication Day" for the 25th Anniversary Edition (fully revised, updated, and redesigned) of my book "A Whack on the Side of the Head." Naturally, I'm thrilled.

I got to thinking about my favorite creative thinking books. I've decided to list the ones that inspired me many years ago. So here goes (I'll limit myself to just five):

1. The Act of Creation by Arthur Koestler. This is my very favorite "creative thinking" book. It came out in 1963, and I read it as a student in 1967. This is probably the best-written of all creativity books. Koestler, author of the landmark novel "Darkness At Noon," tackles the creative process with gusto. AOC is filled with great stories and anecdotes. Koestler coined the term "bi-sociation of matrices of thought" to describe the creative act, and he investigated it within the realms of science, humor, and art. I still read this book every couple years. Highly recommended.

2. Conceptual Blockbusting by Jim Adams. This book came out in the early 1970s (the edition I first read was published by the Stanford Alumni Association). Adams, an engineer and a practical academic, showed me just how interesting the creative process could be. It has a lot of classic "creativity" exercises in it. I was quite flattered when Adams wrote a blurb for the second edition of "Whack" in 1990.

3. Lateral Thinking by Edward de Bono (1973) This book made me think hard and deep about just what the mind is doing when it's able to get off the beaten path. A real classic mind-stretcher.

4. Change: Principles of Problem Formation and Problem Resolution by Paul Watzlawick (1974) . Watzlawick was an Austrian born psychotherapist who founded the Mental Research Institute in Palo Alto. Many great (off-beat) stories and examples to support his ideas about "creative reframing." This book still sells well.

5. Applied Imagination by Alex Osborne (from circa 1953, currently out of print, unfortunately). Osborne was the "O" in the famed (1940s-1970s) ad agency BBDO. Thus, he worked with real clients and was in the position of seeing efforts succeed and fail. He coined the term "brainstorming." He's also sometimes credited with originating the SCAMPER creative technique.

*  *  *  *  *  *  *  * 

You may notice that there are no books on this list that are later than the mid-1970s. There are two reasons for this.

First, I wanted to share with you the books that inspired me to go into business for myself as a creativity consultant in 1977.

And, second, I wanted to leave plenty of room for your favorites! (There have been many, many very good ones in the past thirty years.)

So once, again: What are your favorite creative thinking books? What would you recommend? Why?

Your Ideas for a Calendar Redesign

It's time for one of my favorite "What If of the Week!" questions.

What if the world's authorities got together
and asked YOU to re-design the calendar?

Calendar2

What would you come up with? How many months would your design have? How many days in a month? How long would a week be? Would they vary by season? Would there be some weeks that weren't part of a month? Would you add special days? What would your reasons be? What's something really different?

How would your calendar affect business and commerce? What impact would it have on family life? On religious festivals and celebrations? Who would be threatened? What new features would you design into your calendar?

Have fun with this! I'd love to hear your ideas.

* * * * * * * * * * * * * * * *

New_whack_85_3 The 25th Anniversary Edition (completely revised, redesigned, and updated) of the book "A Whack on the Side of the Head: How You Can Be More Creative" will be published by Business Plus on May 5, 2008. It is currently shipping from Amazon. The retail price is $16.99 ($11.55 at Amazon). Yowie! Zowie!

Father of the Acid Trip is Dead at 102

Hoffman_160 Albert Hoffman, the father of the mind-altering drug LSD, died this past Tuesday at the age of 102 in Switzerland.

Hoffman discovered lysergic acid diethylamide-25 in 1938 while working as a chemist at Sandoz, the pharmaceutical giant.

This is a great example of the unpredictable twists and turns of the creative process.

Hoffman thought he was looking for medicinal uses of a fungus found on wheat. Instead, he helped to create the 1960s!

So, now in death, Hoffman is entering the "mother of all trips."

So what was an acid trip like?

By sheer coincidence, today my son Alex sent me the following link about High Dynamic Range-technique (HDR) pictures.

This is what the blurb about HDR says:

It can create incredibly beautiful pictures which blur our sense of the difference between reality and illusion. . . . [Sounds like an acid trip to me!]

The intention is to accurately represent the wide range of intensity levels found in real scenes, ranging from direct sunlight to the deepest shadows. . . .

Interesting technique. See for yourself. Go to the link for more examples.

Hdr10_2

This is a cosmic landscape (God is getting ready to reveal Himself from behind the clouds).

Hdr761

Yes, those childhood memories! It was all innocent and warm.

Hdr68

I feel transported back to antiquity (how ya' doin' Plato).

Hdr67

Something is about to happen to the Golden Gate Bridge (feels like something out of an Indiana Jones film).

Hdr20

Your dinner guest has been transformed into a bass (Kafka would love it).

Watermelon Butterfly

What do you see in the Photoshop art below?

Well, it depends on who you are.

Watermelon_butterfly_460

If you're a swimming coach, you might notice a few things other folks don't.

Tim Edmonds, head coach of the Stanford Masters swimming team had the following comments about it:

The "underwater recovery" butterfly drill which works on, among other things, getting the breath really early in the stroke was nicknamed the "watermelon seed spitting" drill by [Stanford men's assistant swimming coach] Ted Knapp probably 10 or 11 years ago. 

He thought the movement was similar to how you would move in order to win a watermelon seed spitting contest. 

This is a great, if slightly ironic, image....The fact that this little fella's head is "in line", his chin is "neutral," and his arms are about to exit into a quick recovery (but aren't out yet) is just about perfect technique.

Personally I'd prefer if his movement was a little less vertical, but it's still pretty great.

You can tell he is a Noon swimmer by his dark goggles and his sunburn.

Thanks for the analysis, coach. It just goes to show that inspiration is all around us!

Anyone know the source of this image, and others like it?

Give Yourself A Whack on the Side of the Head

Give_yourself_a_whack_260 The more often you do something in the same way, the more difficult it is to think about doing it in any other way.

Break out of this "prison of familiarity" by disrupting your habitual thought patterns.

Write a love poem in the middle of the night . . . Eat ice cream for breakfast . . . Wear red sox . . . Visit a junk yard . . . Work the weekend . . . Take the slow way home . . . Sleep on the other side of the bed . . . Such jolts to your routines will lead to new ideas.

How can you whack your thinking? What would really disrupt the way you are currently thinking about your problem?

How would each of the following situations change the way in which you think about your issue:

  • not being able to talk for a week
  • breaking your leg
  • losing your job
  • suddenly growing ten years older
  • suddenly becoming ten years younger
  • swallowing a pill that gave you three times as much energy
  • having to sleep fifteen hours a day
  • your being forced to spend a night in a scary graveyard
  • having your IQ increased by 50 points
  • having your IQ decreased by 50 points
  • having your deadline moved up to tomorrow morning
  • having your budget cut by 75%
  • having to crawl to work on your hands and knees
  • having a good friend from your past allege that you did evil things
  • suddenly becoming ten years old for a day
  • a vicious civil war in your country
  • heat waves in the winter and snowstorms in the summer.

How do you whack your thinking?

* * * * * * * * * * * * * *

New_whack_85_3 The 25th Anniversary Edition (completely revised, redesigned, and updated) of the book "A Whack on the Side of the Head: How You Can Be More Creative" will be published by Business Plus on May 5, 2008. It is currently shipping from Amazon. The retail price is $16.99 ($11.55 at Amazon). Yowie! Zowie!

Practice the Art of Forgetting

It's time for some wisdom from Heraclitus, the ancient Greek philosopher whom I consider to be the world's first creativity teacher. His words today are: "Knowing many things doesn't teach insight."

Heraknowing


As with all of Heraclitus' ideas, there are many ways to interpret this. What stands out for me, though, is this creative strategy:

Practice forgetting.

I think what he's getting at is this: forgetting what we know — at the appropriate time — can be an important means for gaining insight. Without the ability to forget, our minds remain cluttered with ready-made answers, and we're not motivated to ask the questions that lead our thinking to new ideas.

For example, one day on his regular walk past the local blacksmith's workshop on the island of Samos, the ancient Greek philosopher Pythagoras temporarily forgot that the banging sounds produced by the smith's hammering of iron bars were "noise" — his usual reaction — and instead viewed them as "information." He soon discovered that musical pitch is a function of the length of the material being struck — his first principle of mathematical physics.

Remember: everyone has the ability to forget. The art is knowing when to use it. Indeed, novelist Henry Miller once stated:

"My 'forgettery' has been just as important
to my success as my memory."

Some questions to think about: 

What conventional wisdom are you relying on? What would happen if you forgot the obvious answers that spring to mind and searched for new ones?

Today's Forecast: Five-Ninths Daylight

6star_30_p_red_250_small I read in the paper that today, where I live in northern California, there will be 13 hours and 20 minutes of daylight. (And 10 hours and 40 minutes of darkness.)

Intriguing numbers I thought. It turns out that 13:20:00 is exactly five-ninths of a 24 hour day.  That means that 5/9 of today will be light, and 4/9 be dark. That's a nice comfortable balance especially in April.

I'll get to experience 5/9 daylight again in late August, but it will feel a lot hotter then.

When Do You Get Your Ideas?

5_star_30p_red_small_2 The 25th Anniversary Edition (completely revised and updated) of the book "A Whack on the Side of the Head: How You Can Be More Creative" will be published by Business Plus on May 5, 2008. It is  appearing in stores this week, and is currently shipping from Amazon. The retail price is $16.99 ($11.55 at Amazon).

* * * * * * * * * * * * * * * * *

Exercise: When do you get your ideas? During what kinds of activities and situations do you get your ideas? For example, doing routine work, as a response to questions, during physical exercise, late at night, driving, in the company of others, under stress, etc.

I have asked this question to probably a million people. The answers I've received can be grouped into two categories. The first is necessity, and is represented by replies such as:

  • "When I'm faced with a problem."
  • "When things break down, and I have to fix them."
  • "When there's a need to be filled."
  • "When the deadline is near . . . that's the ultimate inspiration."

These responses bear out the old adage that "necessity is the mother of invention."

But interestingly enough, an equal if not greater number of people get their ideas in the opposite situation, and they respond along these lines:

  • "When I'm just playing around."
  • "When I'm doing something else."
  • "When I'm not taking myself too seriously."
  • "After my second beer."

From this I conclude that: "Necessity may be the mother of invention, but play is certainly the father."

Indeed, I sincerely believe that a playful attitude is fundamental to creative thinking. I'll bet that you generate most of your new ideas when you're playing around in your mental playground. That's because your defenses are down, and there is little concern with the rules, practicality, or being wrong. When you play, you give yourself a license to try different approaches without fear of penalty.

How can you play with your problem?

Reverse Your Point of View

While poking around on the net, I discovered an ad produced by Leo Burnett Italia. It runs forty seconds: check it out.

This is a powerful ad. And I hope its message is heeded by those at whom it is directed.

But it reminded me of what a wonderful mind-opening technique looking at things in a reverse manner can be.

Here is one of my favorite examples of "reverse." I'll quote a section from my book, A Whack on the Side of the Head**, called "Reverse Living":

Life is tough. It takes up all your time, all your weekends, and what do you get at the end of it? Death, a great reward. The life cycle is all backwards. You should die first, and get it out of the way. Then you live for twenty years in an old age home, and then get kicked out when you’re too young. You get a gold watch and then you go to work. You work forty years until you’re young enough to enjoy your retirement.

You go to college and party until you’re ready for high school. Then you go to grade school, you become a little kid, you play, you have no responsibilities, you become a little baby, you go back into the womb, you spend your last nine months floating, and you finish off as a gleam in somebody’s eye.

What can you look at backwards? How might you see it in a fresh way?

**The 25th Anniversary Edition (completely revised and updated) of the book "A Whack on the Side of the Head: How You Can Be More Creative" will be published by Business Plus on May 5, 2008. It is starting to appear in stores this week, and is currently shipping from Amazon. The retail price is $16.99 ($11.55 at Amazon).

Roger von Oech: "Whack-25" Interview

The 25th Anniversary Edition of the book "A Whack on the Side of the Head: How You Can Be More Creative" will be published by Business Plus on May 5, 2008. It should be in stores next week, and is currently shipping from Amazon. The retail price is $16.99 ($11.55 at Amazon).

Recently I did an interview with Andrew Mercer about the new edition. Here is part of the conversation.

See_the_big_picture_260_2 Could you compare the climate for creative thinking in the early 1980s with today?
Roger: Back then, there was much less of an expectation for people to be creative — especially in their work situations. That has changed significantly. Nowadays, creative thinking is regarded as a vital survival skill. I’d like to think that “Whack,” in its own small way, was one of things that helped ignite and fuel this creative revolution.

Why do you think this book has been such a consistent strong seller over the years?
Roger: “Whack” is a fun, friendly, and interactive approach to using your creative abilities more effectively. I’ve tried to create a book that a person can open anywhere and find some inspiration. There’s some weird stuff in it, some mind-stretching stuff, but also a lot of good practical tips and strategies that readers find value in. Plus, the illustrations by George Willett are a treasure.

What are your feelings about the new 25th Anniversary Edition?
Roger: I’m thrilled! I can’t believe that it’s been a quarter century since “Whack” first came out. And, of course, I’m delighted that it’s available to a new generation of creative thinkers.

Ask_why_260_2 How different is it from previous editions?

Roger: The core ideas of “mental locks” and my discussion of the creative process are the same. As are a number of stories and exercises. I’ve kept the old favorites. But I’ve also been able to add a number of new anecdotes, provocations, and strategies. Plus, this one has a “Breaktime” in the middle for the reader to stretch out.

How has your thinking on creativity changed over the past twenty-five years?
Roger: Well, I’ve come to appreciate more the value and importance of constraints and limits in stimulating the creative process. And I’ve added a new section on this topic. Several other areas I’ve expanded include: “Seeing the Obvious,” “Expecting the Unexpected,” and the “Thuban Phenomenon.”

Who are your readers?
Roger: They’re from all walks of life — and from all over the world. Over the years, I’ve heard from business people, ministers, teachers, coaches, nurses, people in prison, entrepreneurs, and students. They’ve sent me a lot of interesting stuff!

Think_like_a_kid_260_2 When you were creating this new edition, what resource did you employ that was previously unavailable to you?

Roger: One big thing is blogging (which I’ve been doing since 2006). It’s been a great way to get and share ideas with a wide variety of people. It’s also been a good way to get feedback on my new ideas.

Any final thoughts about this new edition?
Roger: I thoroughly enjoyed working on the project — everything from doing the design and layout to adding new material. It’s been like getting to play with an old friend. I feel fortunate! Oh yeah, one more thing: give your friends a “whack on the side of the head.” They’ll thank you for your thoughtfulness!

The 25th Anniversary Whack!

I'm proud and pleased to announce that the 25th Anniversary Edition of my book "A Whack on the Side of the Head: How You Can Be More Creative" will be published by Business Plus on May 5, 2008. It should be in stores next week, and is currently shipping from Amazon. The retail price is $16.99 ($11.55 at Amazon).

Whack25_cover_39472

This is the fourth edition of Whack. The first came out in 1983, the second in 1990, and the third in 1998.

I've completely updated, revised, and re-designed this new edition.

Business Plus—an imprint of Grand Central—is the same publisher as always (my long-standing publisher Warner Books had to change its name after it was sold by Time-Warner to Hachette).

Over the years, Whack has reached a wide audience of business people, students, coaches, ministers, teachers, artists, and entrepreneurs. It's my hope that this new edition will find a new generation of creative thinkers and innovators—in a variety of different disciplines!

I'm excited!

A Phrase Past Its Expiration Date

Past_it_prime_260 Do you have a phrase or expression that you're really tired of hearing? If so, I'd love to hear it.

Here's mine:

"It is what it is."

The first few times I heard it back in the early part of this decade (the "double ohs"), I thought, "Hmmmm, what an existential way of looking at things," or "Not bad —judgment free."

By about 2004, this phrase started to wear on me. People would use it as a substitute for thinking. They'd see something, and then rather than taking a moment to analyze it or think about it more deeply, they'd take the lazy way out and say, "it is what it is."

These days I regard this expression as a verbal tick — and past its expiration date.

Question: In your opinion what expressions are past their prime?

What Would A Fool Say?

Exercise: Read the following post, and then answer one or more of the following questions:

What would a fool say about the current race to be the presidential nominee of the Democratic Party?

What would a fool recommend to stimulate the economy?

What would a fool recommend to make paying taxes more enjoyable?

What would a fool recommend to improve the quality of public education?

Have fun with it!

• • • • • • • • • • • • • • • • • • • • • • • • • • •

It's that time of year again! And it's time for one of my very favorite creative thinking strategies:

Think Like A Fool
Fool_roger_von_oech
Image from the Creative Whack Pack

Carrying the strategy of "looking at things differently" to extremes brings us to the realm of the fool, the being for whom everyday ways of understanding have little meaning.

It's the fool's job to extol the trivial, trifle with the exalted, and parody the common perception of a situation. In doing so, the fool makes us conscious of the habits we take for granted and rarely question. A good fool needs to be part actor and part poet, part philosopher and part psychologist.

And throughout history, the fool has been consulted by Egyptian pharaohs and Babylonian kings, Chinese emperors, Greeks tyrants, and Hopi Indian chiefs.

The fool will reverse our standard assumptions. He'll say, "If a man is sitting on a horse facing the rear, why do we assume that it is the man who is backwards, and not the horse?"

The fool notices things that other people overlook. He might ask, "Why do people who pour cream into their coffee do so after the coffee is already in the cup, rather than pouring the cream in first and saving themselves the trouble of stirring?"

The fool can also be irreverent. He'll pose riddles such as,

"What does a rich man put in his pocket that the poor man throws away?" When he answers, "Snot," he forces us to re-examine the sanctity of our everyday rituals.

The fool can be cryptic. He'll say the best way to see something is with your ears. Initially, this may seem weird, but after you've thought about it, you might agree that listening to a story conjures up more images than watching television.

The fool can be absurd. Having lost his donkey, a fool got down on his knees and began thanking God. A passerby saw him and asked, "Your donkey is missing; why are you thanking God?" The fool replied, "I'm thanking Him for seeing to it that I wasn't riding him at the time. Otherwise, I would be missing as well."

The fool will take the contrary position in most conversations. Whereas many people would agree that, "If a thing is worth doing, it's worth doing well," The fool might say,

"You don't have to do things well! Indeed, it's okay to do them poorly; otherwise you'll never let yourself be a beginner at a new activity."

The great benefit of the fool's antics and observations is that they stimulate our thinking. They jolt us in the same way that a splash of cold water awakens us when we are drowsy.

Exercise: What ideas do you have for the questions at the beginning of this post? Where has "thinking like a fool" helped you look at a problem in a helpful way?

©Roger von Oech

Name This Decade Contest!

Fez_gates_250Update: We've got some winners! Go to the bottom.

*** *** *** *** ***

Well, this decade is almost gone (or 82% gone to be precise). And still no name!

A little over eight years ago in January, 2000, I thought this decade would be known as the "oohs" (pronounced "ooze") because it every year in it had two (or more) zeroes and they looked like the "o's" in "oohs." So obvious!

If that didn't happen, then at the very least I thought this time period would come to be called the "ohs" (pronounced like "those" without the "th").

Well, neither of those caught on. Hmmm.

I guess we've got an opportunity.

Flex your creative muscles and come up with a fun and/or descriptive moniker for this decade.
(I'm interested to see what you come up with.)

*** *** *** *** ***

Thanks for the great suggestions (keep 'em coming). My two favorites are:

  • "The Double Ohs" (I think I'd even use this one, such as five years from now I might say, "Do you remember what you were doing with Jim back in the early double ohs?"
  • "The Pre-Teens" (This is just plain clever and funny. I don't know, though, if I would actually use it.)

Happy Birthday Bach!

Bach_250 Happy Birthday Johann Sebastian Bach, born on this day (March 21) in 1685. His music, the fusion of a powerful intellect and an unshakable faith, is capable of both melodic simplicity (e.g.,"Sheep May Safely Graze") and elaborate complexity (e.g., "The Art of the Fugue").

We are very fortunate that Bach lived and abundantly applied his gift. He is one of those rare individuals about whom it can be said, "Had he never been born, we'd all be the poorer."

Bach has long been one of my very favorite creative muses. When I'm in need of inspiration, I can listen to Bach for days on end. I have many favorites, but here a few quick ones:

   • The Goldberg Variations
   • "Wachet auf ruft uns die Stimme" cantata
   • Cellos Suites
   • Sonatas  1-6 BMV 525-530 (especially #6) 
   • The Well-Tempered Clavier

What are your favorite Bach pieces?

Uri Caine in Concert

Uri_240 Last night I went to see Uri Caine in a solo piano concert at Stanford. Caine is a virtuoso classical and jazz pianist, jazz ensemble leader, composer, and classical music interpretter.

Caine performed an all Mahler program. My favorite was his interpretation of the Adagietto (fourth movement) of Symphony #5. (He also did movements from Sym. #1, #2, and #5.)

Caine's performance was electric, confident, searching, and playful. At times his playing is literal: he delicately picks out the notes like stars in the sky. But more often, his MO was to take Mahler's themes and run them through his vivid imagination to create a wild and moving amalgam of sounds and feelings. Thus, Caine is able to make Mahler sound like Fats Waller, Glenn Gould, PDQ Bach, and Keith Jarrett. A true tour de force.

The second half of his program was comprised of Caine's takes on Mahler lieder (from the Song of the Earth and The Boy's Magic Horn). He'd take a three minute song and run with it for ten minutes — entertaining the audience all the way with his variations. For example, in the "Farewell" song, he seamlessly brought Stravinsky and Mahler together in ways neither could have ever imagined.

I first became aware of Uri Caine a little over a year ago when I did a post on Bach's Goldberg Variations ("Waking Up with the Goldberg Variations"). One reader suggested that I check out Caine's interpretation of the Goldbergs. I did, and I was absolutely floored (and have listened to it scores of times since). I highly recommend it. Caine's rendition of Wagner is also worth listening to.

Thank you for a delightful evening, Uri.

Don't Force It

Let's check in with the Creative Whack Pack for some inspiration. Today's card is "Don't Force It." This is what it says.

Dont_force_it_260 An architect built a cluster of office buildings around a central green. When construction was completed, the landscape crew asked him where he wanted the sidewalks. "Just plant the grass solidly between the buildings," was his reply.

By late summer the new lawn was laced with paths of trodden grass between the buildings. These paths turned in easy curves and were sized according to traffic flow.

In the fall, the architect simply paved the paths. Not only were the paths beautiful, they responded directly to user needs.

By putting an idea on your mental back burner, you allow yourself to put your problem in perspective. Sometimes we get so close to the problem that we lose sight of what we're trying to accomplish.

One advertising man told me that his strategy for coming up with ideas is to spend six weeks inundating himself with information about the client and its market. Then he'll go fishing for three days, and "let the ideas percolate their way to the top." Moral: If you allow yourself to get away from your problem, you put yourself in a position to see the big picture.

As the poet Doug King says:

"Learn to pause . . . or nothing worthwhile will catch up to you."

What are you forcing in your issue? Where can you back off? Where has pausing helped you be more creative?

(Me? I'm going to the movies this afternoon!)

Beautiful Naked Women Attract Visitors

How to attract visitors?

During the year and a half I've been blogging, I written over 250 posts.

But one in particular, written well over a year ago, is still responsible for nearly 15% of all my daily visitors. People from all over the world come to see this post — day in, day out. Month in, month out. Amazing!

I wrote this particular post when I was in Berlin in February, 2007 and its subject matter was outdoor advertising along the famed Unter den Linden.

This is what I called the post: Giant Beautiful Naked Older Women in Public! Take a moment to check it out.

Dove_1_2

I thought it was a straight-forward post. But when I playfully wrote the title, I wasn't thinking of what the search engines would do with it.

It turns out that a lot of people go to Google and type in some variant of (can you imagine?):

  • Naked women
  • Older naked women
  • Beautiful naked women
  • Naked women in public

Because I have a Google Page Rank Number of 5, the above post usually ends up on page one of the seeker's query results. Then the seeker (with high hopes!) clicks on the link and ends up at the above post on my site. I have a feeling they are usually disappointed. Sometimes they look around further on my blog, but most of the time they go back to their Google query results.

This is what I've learned: Sex seems to attract visitors on the Internet! See if it works for you.

Avoid Arrogance

I've been reading the papers today. Hmmm. To sort things out I thought I'd draw some inspiration from the trusty Creative Whack Pack. Here goes. It's "Avoid Arrogance." Let's see what it says.

Avoid_arrogance_260 On the morning of the Battle of Waterloo, Napoleon Bonaparte smugly assured his generals: "I tell you Wellington is a bad general, the English are bad soldiers; we will settle this matter by lunchtime."

There is a fine line between a healthy sense of one's abilities and arrogance. If you're repeatedly successful, you're tempted to believe that you've found the formula for success and are no longer subject to human fallibility.

This is devastating to the creative process; in a world that is continually changing, every right idea is eventually the wrong one.

With an arrogant attitude, you cease paying attention to different points of view and information that contradicts your beliefs. You screen out the "boos," and amplify the "hurrahs."

Don't be blinded by arrogance. A little humility can help you steer clear of disaster.

Where is arrogance affecting you? How has it clouded how you think about your problem? Where is your ego interfering with thinking of alternatives?

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